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  • 剧情介绍
  It’s winter in France, the light is dull, the camera pans over a snowy wasteland and enters a massive construction of steel and glass that is open at the sides, stopping in front of the reproduction of a wooden ship. The structure that juts out over the upper deck is inscribed with the words ‘Liberté, Égalité, Fraternité’.
  Med Hondo uses this tracking shot to establish the setting of his feature film West Indies ou les nègres marrons de la liberté (1979), while opening up a much larger space to the imagination at the same time. The ship turns out to be a most versatile stage for a grotesque narrative of colonialism, slavery and the struggle for independence in the French West Indies. Med Hondo explores his many themes in this limited space, whether it be the Middle Passage, marronage, abolition or the history of labour migration to France. The film marries an aesthetics of thrift with the flamboyance of a musical; different time periods glide into one other as elegantly as the geographical points of reference; and only occasionally do the actors’ visible exhalations, an alienation effect created by the cold, remind us that West Indies was not shot on Martinique.

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《西印度群岛》详细介绍

影片名称/别名:西印度群岛|
视频集数:HD中字
上映时间:1979年
视频更新时间:2025-10-05 11:24
国家/地区:法国
影片语言:法语
IMDB评分:0.0分
影片导演:梅德·翁多
影片演员:Cyril Aventurin,费尔南·贝尔塞,罗兰·伯汀,Gérard Bloncourt,Toto Bissainthe,菲利普·克利夫诺
资源类别:全集无删减
视频总人气:加载中...
剧情介绍:梅德·翁多导演执导的《西印度群岛》,该影片在1979年大陆发行,上映至今获得了较好的口碑,由Cyril Aventurin,费尔南·贝尔塞,罗兰·伯汀,Gérard Bloncourt,Toto Bissainthe,菲利普·克利夫诺 等主演的一部不错的电视剧。
  It’s winter in France, the light is dull, the camera pans over a snowy wasteland and enters a massive construction of steel and glass that is open at the sides, stopping in front of the reproduction of a wooden ship. The structure that juts out over the upper deck is inscribed with the words ‘Liberté, Égalité, Fraternité’.
  Med Hondo uses this tracking shot to establish the setting of his feature film West Indies ou les nègres marrons de la liberté (1979), while opening up a much larger space to the imagination at the same time. The ship turns out to be a most versatile stage for a grotesque narrative of colonialism, slavery and the struggle for independence in the French West Indies. Med Hondo explores his many themes in this limited space, whether it be the Middle Passage, marronage, abolition or the history of labour migration to France. The film marries an aesthetics of thrift with the flamboyance of a musical; different time periods glide into one other as elegantly as the geographical points of reference; and only occasionally do the actors’ visible exhalations, an alienation effect created by the cold, remind us that West Indies was not shot on Martinique.
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